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The movie’s opening action beat is punctuated by a very satisfying knife through the skull. There is something righteous in seeing scores of them dying in such visceral ways. The action scenes are brutal, showing many, many, many different ways to kill Nazis. bringing a similar tone to the rest of the movie. Sisu would have greatly benefited from Helander and co. Hennie has long excelled at playing characters with a sinister edge under the surface ( Headhunters, The Trip), and here, he gets to just go all-out as a menacing Nazi. I wish he had a mustache to twirl, as it would have perfectly fit with the tone he’s going for, a tone Helander only partly commits to in Sisu.

At the same time, the booming music, the cheesy chapter titles (“The Legend,” “The Nazis,” “Kill ’Em All”), and some ridiculously silly action beats (such as Aatami hitching a ride on the bottom of a plane by lodging his prospecting pick into it as it takes off) place it more firmly in the area of ludicrously fun action fare.Īksel Hennie’s menacing performance as the lead Nazi is appropriately repugnant - I was anxiously awaiting his explosive death from start to finish. Tommila’s grounded, silent performance as Aatami, along with the fairly conventional way director Jalmari Helander, cinematographer Kjell Lagerroos, and editor Juho Virolainen frame the action, suggest a more serious revenge thriller. Aatami travels through the gorgeous Lapland landscape, which brings a sense of the vastness of the Finnish countryside to Sisu, with the emptiness and desolation heightened by images of burnt villages.Ī significant tonal clash holds Sisu back from being the kind of fun midnight action fare the relentless advertising campaign promises. Sisu manifests itself when all hope is lost.” In this case, Sisu manifests through Aatami, a quiet, intense man who does not speak until the movie’s final lines of dialogue. “Sisu” is an untranslatable Finnish concept, as the opening text explains: “It means a white-knuckled form of courage and unimaginable determination.

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That’s the premise of Sisu, the new English-language Finnish movie looking to capture the hearts of John Wick fans everywhere with its own version of vengeful “retired killer leaves retirement” action. But when a small group of Nazis attempt to steal his gold and kill him, Aatami breaks out his dormant set of murdering skills and gets to work, dispatching the soldiers with ruthless, brutal abandon. As a Nazi battalion of tanks and vehicles pass him in the field, he doesn’t pay them much attention.

He’s trying his hand at gold prospecting, and he doesn’t want much to do with the present conflict. They’ve destroyed villages and kidnapped young women, and now they’re looking for more targets to take out their anger on after their humiliating defeat.Įnter Aatami Korpi (Jorma Tommila), a grizzled, legendary Finnish veteran of the Winter War with the Soviets. The Nazis are being forced out of Finland, and they’re using scorched-earth tactics, burning down everything and everyone on their way out of the country.

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